documenta fifteen
Atis Rezistans | Ghetto Biennale
St Kunigundis Church
Andre Eugene and Leah Gordon curated the Atis Rezistans | Ghetto Biennale installation at St Kunigundis Church for documenta fifteen in Kassel in 2022.
ATIS REZISTANS
Katelyn Alexis (HT)
Wesner Bazile (HT)
Adriana Benjamin (HT)
Jerry Reginald Chery aka Twoket (HT)
Patrick Elie aka Kombatan (HT)
André Eugène (HT)
Londel Innocent (HT)
Louis Kervans aka Bakari (HT)
Jean Jonas Labaze (HT)
Michel Lafleur (HT)
Jean Muller Milord aka Soso (HT)
Jean Robert Palenquet (HT)
Herold Pierre-Louis (HT)
Mario Pierre-Louis aka Prela (HT)
Evel Romain (HT/US)
Jean-Claude Saintilus (HT)
Wilerme Tegenis (HT)
Katelyn Alexis (HT)
Wesner Bazile (HT)
Adriana Benjamin (HT)
Jerry Reginald Chery aka Twoket (HT)
Patrick Elie aka Kombatan (HT)
André Eugène (HT)
Londel Innocent (HT)
Louis Kervans aka Bakari (HT)
Jean Jonas Labaze (HT)
Michel Lafleur (HT)
Jean Muller Milord aka Soso (HT)
Jean Robert Palenquet (HT)
Herold Pierre-Louis (HT)
Mario Pierre-Louis aka Prela (HT)
Evel Romain (HT/US)
Jean-Claude Saintilus (HT)
Wilerme Tegenis (HT)
GHETTO BIENNALE
Nanne Buurman (DE)
Cat Barich (DE)
Simon Benjamin (JM/US)
Tom Bogaert (BE)
Demar Brackenridge (JM)
Vivian Chan (GB)
Camille Chedda (JM)
John Cussans (GB)
Edouard Duval-Carrie (HT/US)
Leah Gordon (GB)
Sheldon Green (JM)
Bastian Hagedorn (DE)
Jean Louis Huhta (SE)
Laura Heyman (US)
L (US)
Pedro Lasch (MX/US)
Henrike Naumann (DE)
Carima Neusser (SE)
Roberto N Peyre (SE)
Martina Vanin (IT)
Elizabeth Woodroffe (BB/GB)
Nanne Buurman (DE)
Cat Barich (DE)
Simon Benjamin (JM/US)
Tom Bogaert (BE)
Demar Brackenridge (JM)
Vivian Chan (GB)
Camille Chedda (JM)
John Cussans (GB)
Edouard Duval-Carrie (HT/US)
Leah Gordon (GB)
Sheldon Green (JM)
Bastian Hagedorn (DE)
Jean Louis Huhta (SE)
Laura Heyman (US)
L (US)
Pedro Lasch (MX/US)
Henrike Naumann (DE)
Carima Neusser (SE)
Roberto N Peyre (SE)
Martina Vanin (IT)
Elizabeth Woodroffe (BB/GB)
Atis Rezistans | Ghetto Biennale at documenta fifteen, showcased Atis Rezistans work and collaborations generated by the Ghetto Biennale. St Kunigundis Church hosted, in the church and the gardens, performances, films and a series of discussions which both informed and debated the agency, importance, influence and impact of the Haitian Revolution; discussed the radical lessons that Haitian majority class rural and urban cultures can teach people in the 21st century; and formulated an interrogation of cultural institutions, the margins and the centres of global art production.
